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Orphee et Eurydice
Opera by Christoph Willibald Gluck
(French Version)
performed by the Metropolitan Opera of Bangkok
Production of Ibycus Co., Ltd.
Conductor --Simon Stadlmair (Austria)
(Simon's biography) click here
Stage Director --Zazie Hayoun (France)
(Zazie's biography) click here
The timeliness of diplomacy through opera is certainly uncanny. At a moment when provocation and anger have become the spirit of diplomatic conduct, it is, therefore, most appropriate to offer a viable alternative for constructive collaboration among nations, especially neighboring nations.
The Metropolitan Opera of Bangkok and its production house, Ibycus Co., Ltd. would like to perform the French version of Gluck’s opera: Orphée et Eurydice, in Bangkok and Phnom Penh.
PERFORMANCES PLANNED IN 2 COUNTRIES – MAY 2010
THAILAND, Bangkok: Thailand Cultural Centre Small Hall –
Dates: May 19 and 20, 2010
CAMBODIA, Phnom Penh: Venue to be confirmed
Date: May 14, 2010
MAIN CHARACTERS
Orphée: Christophe Carré (France)
Eurydice: Sophie Tanapura (Thailand)
Amour: Uma Paitoon (Thailand)
Chorus: (8 members) Singers from Thailand
Dancers: (3 persons) Dancers from Thailand
THE STORY OF ORPHEUS AND EURYDICE
The Gluck opera opens with Orpheus lamenting over the corpse of his beloved Eurydice, who had just died from a venomous snake bite. Jupiter takes pity on Orpheus and sends Amour (Cupid) with a message. Orpheus is to take his lyre, go to the other world and with his beautiful music calm the Furies at the gates (Act Two). Jupiter’s condition is that Orpheus not look at Eurydice until he is back to the Land of the Living. Pressured by Eurydice’s doubts of his true love for her, he turns around and his glance causes her to die. In Gluck’s opera version, such love merits a second and even a third chance. Orpheus is able to bring his true love, Eurydice, back from the world of the Blessed Spirits with the help of Jupiter and Cupid.
However, the story of Orpheus and Eurydice is one that can take place anywhere. The present production has chosen to situate the story in the Thai context. Ancient Thai mural paintings have inspired scenic backdrops. Costumes will take on a Thai flavor. Shadow play, puppetry and the khon dance are among the many attempts to incorporate traditional Thai arts into the opera.
The Gluck opera opens with Orpheus lamenting over the corpse of his beloved Eurydice, who had just died from a venomous snake bite. Jupiter takes pity on Orpheus and sends Amour (Cupid) with a message. Orpheus is to take his lyre, go to the other world and with his beautiful music calm the Furies at the gates (Act Two). Jupiter’s condition is that Orpheus not look at Eurydice until he is back to the Land of the Living. Pressured by Eurydice’s doubts of his true love for her, he turns around and his glance causes her to die. In Gluck’s opera version, such love merits a second and even a third chance. Orpheus is able to bring his true love, Eurydice, back from the world of the Blessed Spirits with the help of Jupiter and Cupid.
Contact information
Metropolitan Opera of Bangkok
Email: sophie_tanapura@yahoo.com
Office tel: +66 2 932 9208
www.metoperabkk.com
bycus Co., Ltd.
Email: ibycus_music@yahoo.com
Office tel: +66 2 932 9208 (Sawinee Northaow)
www.ibycusthailand.com
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